Essays on TV and film — exploring stories, characters, and the choices behind them.
I didn’t expect to have much to say about a Kevin Hart bachelor-party comedy, and the early reviews suggested I wouldn’t. 72 Hours landed on Netflix on July 24 with a 16% critics score on Rotten Tomatoes, a number that usually files a movie under “content” and moves on. Then it went to number … Read more
In the summer of 2016, strangers started showing up at a condo in Anaheim, California, expecting sex. A Craigslist ad had invited them. A woman there, it said, wanted to act out a rape fantasy, and any resistance she put up was part of the game. The men were real. The ad was not. … Read more
A small Lifetime movie is sitting at number two on Netflix right now, one slot behind a Kevin Hart comedy that cost many times its budget, and the reason has almost nothing to do with 2025. His, Hers & Ours works because of a bet Terry McMillan placed more than thirty years ago and … Read more
Every Robin Hood movie you have seen ends long before this one begins. The arrows find their mark, the Merry Men scatter into the greenwood, the Sheriff gets his comeuppance, and the legend rides off intact. The Death of Robin Hood, the A24 drama starring Hugh Jackman that opened in theaters in June and has … Read more
Pickleball is the sport serious tennis players love to roll their eyes at: too easy, too social, played on a shrunken court with a wiffle ball and a paddle. The Dink, now the number one movie on Apple TV+, is the film version of that eye-roll and its answer at the same time. It is … Read more
Most true crime hurries toward the person who did it, angling for the interrogation room, the profile, the scene where a detective finally explains the mind behind the knife. The Idaho Murders: College Nightmare, the three-part Netflix series that landed on July 29, walks the other way, and that decision is the most interesting thing … Read more
In June, Supergirl was a punchline. DC’s new film, only the second in a rebooted universe, opened to brutal reviews and worse math, one of the loudest box office misfires of the year. Six weeks later, the same movie is the number one title people are renting at home. It did not get recut. … Read more
Ordinary Angels opened quietly in early 2024, to modest business and politely mixed reviews, and then slipped off to streaming the way small faith-based dramas usually do. Two years later it sits in the Netflix top three, and plenty of people are meeting it for the first time. The strange part is that the … Read more
For most of its first hour, The Drama behaves. Zendaya and Robert Pattinson play Emma Harwood and Charlie Thompson, a couple a week away from their wedding, and the film hands you the movie the trailer sold: two of the most photographed actors alive, a gorgeous engagement, the low comic hum of a big … Read more
When Steven Spielberg made War of the Worlds in 2005, he said something revealing about it. For the first time in his life, he told Empire, he was making an alien picture with no love in it and no attempt at communication. It was his fourth story about visitors from elsewhere, and it was … Read more