Essays on TV and film — exploring stories, characters, and the choices behind them.
A few days ago I wrote a preview of this docuseries, and I ended it with a question. Not whether Michael Jackson was guilty or innocent — a jury answered that in 2005 — but a harder one: how did a trial that ended in acquittal on every single count become culturally remembered as … Read more
There is a version of this story that gets made as a procedural. The 1992 murder of Rachel Nickell on Wimbledon Common — a young mother stabbed to death in daylight while walking with her two-year-old son — has most of the ingredients that true crime productions reach for: a shocking crime, a botched … Read more
The Michael Jackson biopic that dominated box offices earlier this year made a choice that everyone noticed: it told the story of the music, the performances, the rise, and mostly stepped around the trial. That choice was a commercial calculation as much as a creative one, and it worked. But it left something unresolved, … Read more
The teaser dropped today, and I’ve already watched it twice. Netflix released the first footage of Notes from the Last Row this morning, and it does exactly what a good teaser should do — it gives you just enough to understand what this show is going to be, and then it stops. What I … Read more